Apoyando and Tirando are the two main playing techniques used by classical guitarists. But what’s the difference between Apoyando and Tirando? There are some subtle differences in the way you should position your hand and pluck the string for each technique. This article will explain the differences between Apoyando and Tirando and will give examples of when you should use each technique in your guitar playing.

Having a clear understanding of the differences between Apoyando and Tirando will mean you’re well informed to choose the best time to use each technique in your guitar playing. There are benefits to both strokes, so it’s worth investing practice time developing a working knowledge of both picking techniques. Neither one is ‘better’ than the other, they’re just different.

Asking which is ‘best’ is like comparing a monkey to a fish. However if you ask which creature would be better at climbing a tree, you’d obviously choose the monkey! Both Apoyando and Tirando have their place in the modern classical guitar player’s arsenal of techniques. You just have to know when to employ each one.

Let’s take a closer look and compare the differences between Apoyando and Tirando technique.

Apoyando

Apoyando, also known as “rest stroke”, is a method of playing whereby the plucking finger ‘rests’ on the adjacent string after playing it’s note. Apoyando technique offers the guitarist plenty of contact with the strings of the guitar, which some players find most comfortable. This frequent contact with the strings gives the guitarist a great sense of stability which is why beginner classical guitarists often gravitate towards this particular method of plucking the strings.

To make it easier to plant the fingers after playing each string, most classical guitarists find it necessary to position the hand with the knuckles hovering approximately over the lowest string. The fingers can then straighten out a little which makes the Apoyando technique most comfortable.

Apoyando typically produces a full sound without needing too much technical refinement. It’s generally easy for the novice classical guitarist to get a fuller sound using Apoyando technique compared to Tirando. As such, it’s a great place to begin if you’re new to the classical guitar.

It does however have its restrictions. Because Apoyando technique relies on planting the fingers on a string after each note, it’s not always possible to achieve a “campanella” effect, where multiple strings continue to ring at the same time throughout a melodic passage of music. This technique can also hamper the execution of arpeggios when 3 or more strings are used in succession.

Tirando

Tirando, also known as “free stroke”, is an alternative method of playing whereby the fingers pluck the string before moving into the space underneath the hand after each note. This is in contrast to Apoyando where the finger contacts the adjacent string. Compared to Apoyando, Tirando does not offer the same stability, but this is not necessarily a bad thing. As the fingers are not rooted to the strings while playing Tirando, they have freedom to move wherever they need to be without restriction.

Because the Tirando technique requires the fingers to move into the space underneath the hand, most classical guitarists find it suitable to position their knuckles approximately above the treble strings (E, B and G). This allows them to push through the target string without contacting other strings by accident.

Tirando is a very flexible technique, giving the guitarist total freedom to choose the correct strings without being hampered by planted fingers. This makes it ideal for pretty much all types of classical guitar music.

That being said, it can be harder to produce a full sounding note while using the Tirando technique. Whilst it’s not impossible to produce a full tone, it can take extensive study to master tonal control with Tirando.

When to Use Apoyando

Apoyando is best used for melodic passages of music. In other words, Apoyando is ideal when there is a single voiced melody or a single voiced melody with an accompanying bass part (providing the bass is played only with the thumb). Because the fingers plant on the adjacent string after each note, this in effect dampens the sound of the adjacent string making the newly played note sound clear and unimpeded. It’s for this reason that Apoyando is popular for playing clean sounding melodies on the guitar.

Apoyando is also used often when the music requires a firm tone. The full sound of an Apoyando note lends a commanding quality to the music. Apoyando can also be used for loud passages of music. Most classical guitarists find it easier to produce a louder sound using Apoyando compared to Tirando.

When to Use Tirando

Tirando is best used for passages of music that require multiple strings to be played in succession. This applies to most cross-string arpeggios (a popular composition technique for the classical guitar) and to “campanella” melodies, where the guitarist must play a melody without repeating the same string twice in succession. This creates a harp like effect that’s simply not possible with the Apoyando technique. Tirando is great for any occasion where you want the sound of the strings to continue ringing.

Tirando can be used for pretty much any method of playing. If you could only choose one of these two techniques, it would have to be Tirando simply because it’s so versatile.

Do I Need to Learn Apoyando AND Tirando?

It’s good practice to learn how to play Apoyando and Tirando strokes. This will provide you with a versatile technique that is capable of shaping the music to your liking. Most people will have a natural propensity towards one or the other. My advice would be to work on your weaker stroke as well as your stronger one for a fully rounded classical guitar technique. Your choice of when to use either stroke combined with how you execute each stroke will have a huge impact on your signature sound. It’s a large part of what makes each classical guitarist unique.

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One Comment

  1. Sandra Robinson 21st March 2021 at 11:32 am - Reply

    Some really well illustrated tips here I am no great soloist ofr teacher but the guidelines correlate everything for the core learning needs. Thanks for putting everything in a nutshell!!

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