The SE 43 was built by Antonio de Torres 1883. The original Instrument has a cedar neck with a 650mm scale length, spruce top, with maple for back and sides. This Torres guitar was one of his masterpieces, which later influenced the work of famous countless guitar makers such as Manuel Ramirez, who repaired it in 1912 and Robert Bouchet who did some reconstruction work on this guitar in 1950.

This guitar now is part of the collection of the ‘Musee Instrumental du Conservatoire de Paris’, in France. In terms of dimensions and internal construction, the SE 43 is very close to Francisco Tarrega’s last guitar, the SE 114 which was originally built with rosewood back and sides.

£2,083.33

In stock

More Information

The reputation of Wolfgang Jellinghaus has grown substantially in recent years, and a large part of that is due to the outstanding quality of their Torres replica guitars.

The SE43 S is modelled after guitar #43 from Antonio de Torres’s ‘second epoch’, one of Francisco Tárrega’s famous instruments. Built with high quality spruce top and maple back/sides (just like the original) and with an aged finish to boot, this guitar looks to be the real deal.

Of course, it’s impossible to build a guitar that will match the tone and projection of another instrument precisely. Every piece of wood is different, so even if it were built by the man himself, Torres would not be able to make an instrument that exactly matches his original SE43.

So what is the purpose of these immensely popular Torres replica guitars if not to produce identical ‘copies’ of the original guitar?

Closer Look

Although it’s impossible to create a carbon copy, it is possible to create similar characteristics when modelling on a historically important instruments.

The small body dimensions of the SE43 has been accurately reproduced and as you would expect, so has the internal fan strut structure that Torres is so renowned for.

There are certain tonal features that can only be produced by certain sizes and constructions of guitar. The intense tonal focus of a smaller bodied guitar is a key feature, as is the low body resonance. Both of these characteristics are keenly observed and reproduced on the Wolfgang Jellinghaus SE43 S (more later).

For me, one of the benefits of owning a Torres replica guitar is that it gives you a real taste of the character of the original (if not an exact match), but also brings with it the benefit of modern technology.

Modern tuning machines are of excellent quality and serve the guitar by making the tuning process easy and smooth, whilst also providing greater tuning stability. A guitar that stays in tune makes for a much greater musical experience!

Add into that, improvements in materials such as fret wire, finishing compounds etc, the result is a more consistent and reliable instrument that will not let you down when it counts, whilst preserving the essence of the original.

Tone

Every Torres replica guitar I’ve played over the years have the same distinctive tone. Hugely resonant on the bass side; that quintessential Spanish character. Plenty of body and warmth with trebles that are tonally firm, present and with an excellent ‘singing’ quality.

The Wolfgang Jellinghaus SE43 S has all of these, and further boasts a tone that is easy to articulate and shape. This level of control over the shape of a phrase is equal parts encouraging and addictive. Not a bad trait if you’ve been finding your practice to be a bit laborious and uninspiring recently.

Vibrato can be widely manipulated from the subtlest degree of warble to a broad and substantial pitch shift, should you so wish. Don a suit and some thick rimmed glasses and you’ll be doing a half decent Andres Segovia impression in no time.

Playability

As with all Wolfgang Jellinghaus guitars, the neck shape and overall set up are hard to beat. Immediately comfortable, immediately ‘at home’ and just an absolute joy to play.

The Torres style small body shape makes for a comfortable playing experience. Tall players with long arms may feel slightly differently, but the vast majority of players will have no trouble here. In fact, you might just question why you’ve been struggling with a larger bodied guitar all this time!

For reference, I’m around 5’11”, averagely proportioned. I feel right at home with this instrument on my knee and have no trouble finding a position that feels easy to play.

If you find you usually get pain in your right shoulder, switching to a smaller bodied guitar might actually be better for you than labouring away with a more modern sized instrument. This is especially true if you find you’re raising your shoulder even slightly in order to rest the arm in a good position on the body of the guitar.

Conclusion

Exceptional playability, quintessential Spanish charm in a guitar that makes phrase shaping and articulation both a doddle and a joy.

For fans of warmer and rounder sounding guitars, this guitar is a direct hit. Those who prefer a more cutting and brighter tone may want to steer clear.

The smaller body is a consideration that might put off particularly tall players, as longer arms might feel imbalanced resting on a smaller body. However, this would be an ideal fit for average and shorter sized guitar players who still need a big sounding instrument that can deliver quality tone across the board.

Brand

Model

Year of Construction

Condition

New

Top

Back and Sides

Scale Length

Case

Custom Fit

Our Customers

“I just wanted to thank you again for you time, knowledge and advice last Saturday.  It really is much appreciated and helped make a big purchase for me a lot easier (or at least less stressful!)”

Mat Woolrich, CGA Customer

“Classical Guitar Academy is pure class! I received this superb guitar, hard case & accessories very quickly and in really secure packaging. If you’re looking for excellent quality products and customer service, then look no further than CGA.”

David Lees, CGA Customer

“Excellent customer service. Appointment service giving you the opportunity to try out range of quality classical guitars with no pressure. Highly recommended!”

Catherine Evans, CGA Customer

Endorsements and Happy Customers

“I taught Ed Peczek (Director of Classical Guitar Academy) whilst he was a student at the Royal Conservatoire of Scotland. He is a fine musician and guitarist with a keen musical insight. Ed is a young man of real integrity who will offer unbiased advice on purchasing a quality instrument. I can think of no one better equipped to direct a centre such as Classical Guitar Academy.”

Phillip Thorne, MBE

Senior Lecturer, Royal Conservatoire of Scotland (1978-2016)

“Excellent guitar and very good service. Highly recommended!”

Joe Scarffe

Classical Guitar Academy Customer

“We were looking for a guitar for our son but had no idea where to start based on the level he’s working at/age etc. I contacted Classical Guitar Academy for some initial advice and received a detailed email response. More questions followed from our side and Ed took the time to give his thoughts and opinions. Once the order was placed we were kept very much in the loop about expected delivery times. On collection of the guitar, Ed spent time with us and our son had the chance to play a couple of guitars and make an informed final choice! Can highly recommend Classical Guitar Academy for non-pushy, knowledgeable advice with regards to the purchase of a high quality guitar. Local independent seller providing an excellent service – can highly recommend!”

Jo Lloyd

Classical Guitar Academy Customer

“Classical Guitar Academy is pure class! I received this superb guitar, hard case & accessories very quickly and in really secure packaging. If you’re looking for excellent quality products and customer service, then look no further than CGA.”

David Lees

Classical Guitar Academy Customer

“Just received an Amalio Burguet 2M by mail. Arrived, beautifully packed, in superb condition. After tuning had my first acquaintance with it. Lovely tone which I am sure will improve with playing time. Turned the instrument over in my hands for close inspection. First-rate construction under superb high-gloss finish. Thanks for swift supply & responses via email.”

Roger Watts

Classical Guitar Academy Customer

“Been playing guitar since I was 15 (am now 59), bought my first classical guitar in 1985 and recently decided I needed a better one. After some discussion with Ed at the Classical Guitar Academy about all things guitaristic (Ed is very knowledgeable and always enthusiastic) I tried a few of the guitars Ed had in stock. I knew what I was looking for and Ed understood what I was looking for and I have ended up with a superb Antonio Sanchez guitar. I had also tried a few guitars in a few of the mainstream shops but did not get anything like the help and advice I got from Ed – he understands what it’s all about!”

Duncan Adamson

Classical Guitar Academy Customer

“Excellent customer service. Appointment service giving you the opportunity to try out range of quality classical guitars with no pressure. Highly recommended!”

Catherine Evans

Classical Guitar Academy Customer